Tall, lanky, and athletic, fairly handsome, I’d guess in his mid-20s when this photo was taken (but who knows, just about everything about him was a mystery). Hate Boy talked very little. Sat there with his Cheshire Cat grin. He mostly presented himself to the public by his ever-changing colorful costumes, and by his peculiar movements and mannerisms. Somewhat of an exhibitionist, he reminded me of a mime (he would sometimes wear white pancake make-up), or a slightly malicious court jester or joker. With a strangely aristocratic manner, like a rich kid on a lark. Often had a sly, mischievous smile on his face, like he was enjoying some secret inside joke. Possibly at your expense.
He adopted some of the Hate Man’s look, as well as some of Hate Man’s philosophy. So for awhile they were like a matching set. Hate Man and Hate Boy.
Hate Boy wasn’t a verbal person. The few times I tried to engage him in conversation he responded with terse, one-sentence answers. He never talked about his background (and to this day I don’t know anything about him, where he came from, what his real name was, what he had been doing before he became Hate Boy, and what he did afterwards). He never explained himself, or what he was aspiring to be, or what it all meant to him. He just presented himself as a living, breathing piece of performance art. This inscrutible work of avant-garde that people could project any meaning onto, or no meaning. As he danced across Telegraph like a zany ballerina (I have a set of photos of him spinning and piruetting and posing down the Ave).
When the Naked Guy started walking around naked, Hate Boy would often strip and join him on his romps, penis dangling in the breeze, his smile slier than ever. Hate Boy liked to shock and push the envelope. And eventually that got him in trouble. After a series of episodes where he grabbed at different co-eds crotches, he was banned from the area. And left town suddenly one day — possibly one step ahead of the law — never to return. And that was the end of Hate Boy. One more legend of Telegraph
Generally I enjoyed Hate Boy. He added some color and life to the scene. Projected this attitude that life was just a game, and there was nothing better to do than to play all day long, if you could get away with it