A death in People’s Park

Deapeople-s-park-in-the-sky-tagaytay-philippines1152_13015215400-tpfil02aw-32577.jpg.jpgth is so weird.  No matter how many times I go through it I never get used to it.  One minute the person is standing right next to you.  The next minute they’re . . .  just not THERE!  I always think:  “Where the heck did they go?”   And my mind comes up blank.  I guess that’s just how death works.

I was walking up Dwight Way when Kevin sidled up to me.   “Ace, Ace!  Can I talk to you for a second?” he said in a real anxious voice.

“Sure.”

“Did you hear Soup died the other night?”

“No!  You’re kidding??!!” I said.  “How do you know?”

“He was sleeping over at my place on Sunday night and in the morning we tried to revive him but we couldn’t.  He had a heart attack in his sleep.”

“Holy shit!”  I said.

“Would you tell Hate Man and the guys in the Park,” said Kevin.  “I just can’t deal with it.”

“Sure,” I said.

I broke the news to the guys that were hanging out at Soup’s hangout spot in People’s Park  The usual stunned silence when that kind of news is dropped like a bombshell.

“No!! I just saw Soup just the other day!” said Comatoes, looking like he was on the verge of tears.  Not because of Soup (who he was never close to) but just from confronting the sudden shock of unexpected death.

“Soup had just been fronted a big bunch of dope the other night,” said Hate Man.  “He was going around giving people free samples.  He probably took too much and overdosed in his sleep.”

“In a weird way, that’s probably how Soup would’ve wanted to go out,” I said.  “On top of his game and wheeling and dealing.  Playing at being the Man right to the end.  Soup wasn’t one of those guys you could picture growing old.”

In truth, Soup always reminded me of a 50 year-old 17-year-old stoner.  He was one of those guys who never developed past a certain point.  There are a lot of guys like that on the street scene. I should know, I’m one of them.

Soup was a cocky little Italian guy from the Bronx.  And he kept his exaggerated Bronx accent to the end, with the “dese” and “doze” and “Toidy Toid  Street.” He had long hippy hair parted in the middle, and a boy-ish face, and he had a clean clothes fetish — no matter how fucked up or degenerate his personal situation might be, he always insisted on neat and clean and new-looking clothes.   Soup walked and talked with an exaggerated swagger.  He was like a walking cartoon character.  And he rubbed 90% of the people in the Park the wrong way.  He could be incredibly insulting (“You pinhead!” was one of his most common phrases) (“I could givva’ fuck,” was his second) .  He surely set the record for being run out of the Park the most times by the most different people.  Usually once a week someone would get in Soup’s face and beat his ass or run him off.  Yet no matter how many times I saw Soup get beaten or defeated, he was never defeated by life.  He always dusted himself off and came back for more.

I was never bothered by Soup’s cocky, arrogant, know-it-all act.  Precisely because I could tell it was an act. It was his defense more than an offense.  A little guy surviving on the mean streets of “da’ Bronx.”  “You gotta’ let people know right up front you’re gonna’ hold your ground,” Soup used to say.  I felt a certain sympathy towards Soup’s “Cowardly Lion” act and even found it strangely amusing.  Plus, for whatever reason, I was one of the few people on the scene Soup actually kind of respected.  “Yo, Ace, you’re one of the few people out here that I can actually sort of stomach.”  That was Soup’s idea of high praise.

“Its weird,” I said to Hate Man.  “The last time I saw Soup was just the other day when he sat down right there between you and Planet.”  I stared long and hard at the vacant spot where Soup’s ass had last sat.  “I remember he kicked up a lot of dust when he sat down and then proceeded to interupt your conversation with Planet.”

“Yeah, I wanted to kill Soup for that,” said Hate Man.

But that was so Soup.  Kicking up dust where ever he went.

I ran into Kevin later and we were trying to figure out how old Soup was.  “I remember I got him a birthday cake for his 50th birthday about a year ago,” I said.  “So he must have been around 51.”

“Yeah!” Kevin said happily.   “Soup was always going on and on about how you guys had got him a cake for his 50th birthday!”

I found that comment strangely touching.  Because Soup had never once directly expressed appreciation to me about the cake.  At the time we were both deeply into our malt liquor and the last thing we wanted was to even LOOK at a chocolate cake, so we just let everyone else eat it.  But I could tell he had been touched by the gesture.  But you know how guys are.  We always got our armor up.  Last thing we want is to come across as mushy, sentimental or weak.  Even though we all are.

And now, Soup’s another one.  That just gets swallowed up by the streets and is almost instantly forgotten.  In some ways it was like he was never even here in the first place.  Death is like that.

.

.

How I first heard about AIDS

The Transamerica pyramid and the San Francisco skyline. San Francisco, California, USA.

.

Its funny how I first heard about AIDS.  It must have been around 1982. I was working as a San Francisco bike messenger at the time.  Special T Messenger Service.  The owner of the messenger company — who  was part American Indian (maybe 10% Indian, one of those deals)  –-  decided to start a subsidiary company as a tax write-off.   American Indian Delivery Service.  Or, AIDS Delivery Service as we were called.

Things were going great until about half way through the year of 1982 when all of a sudden all of the secretaries in downtown San Francisco  started giving us funny looks every time we burst into their offices and proudly declared:  “Hey, I’ve got an AIDS delivery for ya!!”  In fact, they looked at us like we were trying to hand them a poisonous turd or something.

Well my friends, AIDS Delivery Service turned out to be a very poor working business model.  And by the end of the year AIDS Delivery Service would be one more casualty of this great and terrible plague.

.

.

What if they declared an epidemic and nobody showed up?

.

Does anybody remember back in the 1980s when all the “experts” scared the shit out of everybody by declaring that the HIV virus was “an automatic death sentence” and that once you contracted it “you’d be lucky to live another 3 months”?  Has anybody noticed that the “experts” turned out to be completely wrong about this?

Does anybody remember back in the 1980s when all the “experts” predicted that the AIDS epidemic was going to “spread like wild fire through the heterosexual community.”  Has anybody noticed that this never happened?

Does anybody remember when Berkeley virologist Prof. Peter Duesberg shocked everybody back in 1987 by claiming that “HIV was a basically simple and harmless virus” and that the people dying from AIDS were dying from other causes and not HIV?  Does anybody remember when Duesberg said that people who contracted HIV but lived otherwise healthy lifestyles would most likely live long and healthy lives?  Has anybody noticed that Duesberg turned out to be absolutely right and that’s exactly what happened with Magic Johnson and millions of people like him?

Has anybody noticed that virtually all of the people who died from AIDS, then and now, were either abusing hard drugs or living otherwise incredibly unhealthy lifestyles and that’s most likely what killed them, not the HIV virus?

Does anybody out there know of even one person — even ONE person — in their circle of friends and acquaintances who was relatively healthy, contracted the HIV virus, and then died from it?  Does anyone remember that that was exactly what all the “experts” were predicting was going to happen back in the 1980s?  Has anybody noticed that that never actually happened?

What if they declared an epidemic and nobody showed up?

.

.

Charmin

 1506445542668-1759653394

 .

This is another thing that has long puzzled me.  Charmin’s advertising campaign.  I mean, I like quality toilet paper as much as the next guy.  But I’ve never felt the urge to rub it on my face in fits of ecstatic happiness.

And another thing.   Why Charmin Basic?  Do they have a Charmin Advanced for the more sophisticated ass wipers?

And thirdly, what’s with the word “Resistente!” in small print?   Is this some kind of subliminal message to rope in the Hispanic consumers?   With possibly revolutionary connotations.  I mean, what exactly are they resisting?

Is it any wonder I’m depressed all the day long.  This world is so baffling.

.

.

Time

.

11017737_1552381708370381_9067766456519006401_n.jpg

I’m obsessed with the concept of time.  What is time?  Like I was just thinking about the concept of  “10 years.”  What is 10 years? (sure, its 3,650 days, but that’s just the measurement, not the understanding)  I was thinking about it because it occurred to me I probably only have 10 years left at best.  Considering my lifestyle, to make it to 67, to actually be pushing 70, would really be pushing the odds.

So I guess it’s like sports.  Clock management.   10 years left in the game and the clock is ticking.  How do you best utilize that time.

So I’m trying to understand the time frame I got left.  10 years.  So to put it in perspective, I run the clock backwards, 10 years ago.  2003.  What was the experience of this chunk of time?  2003 to 2013?

As always when I look back on my past it seems, 1.) just like yesterday, and 2.) just like ancient history.   That strange dichotomy of time where its both at the same time (no pun intended).

2003.  Duncan was still alive and we were still working on the Telegraph Street Calendar (what would be the last issue).  Hate Man still had his Hate Camp scene going on Sproul Plaza.  The Hate Man drum circle was still going on every night (the college students that are on the campus now were 9 years old at the time to put it in another perspective).  Cody’s Books was still open.  I was still living at the office building.  And everything was still as it had been for many, many years.  So I just assumed it would keep going on like that for many, many more years (wrong).  But  now that I look back on it 10 years later its pretty much all gone.  What had once been.  The whole scene, the whole world I had been living in, just seemed to dissolve  as if it had never happened (I often get the feeling that my whole life has been a hallucination).

img_20170531_201850.jpg
So now, here I am 10 years later.  And, as always, it seems like the years flashed by in a blink of an eye.  Even as it also seems like another lifetime ago (again that strange dichotomy).

There I was on a Saturday night in September in 2003.  Or a hundred other nights like it.  47 years old.  Still young and strong and invincible.  Standing there on Sproul Plaza, probably, smoking a cigarette.  Picking up all the drums after a Hate Man drum circle session.  The sticks, the metal objects, the buckets that we used as drums, and stashing them in three big barrels.  Then i was probably standing around, smoking another cigarette and making jokes with Hate Man, Crash, Jaguar or Comatoes, or whoever else was hanging out, making small talk, bantering, the gossip of  the day.  I probably had a beer stashed under my crate so I took a big hit off of that.  Took another hit off my cigarette.  Duncan was probably hanging out at his vending table by Cody’s Books.  So I grabbed my backpack and walked down Telegraph Avenue in that direction. . .

Then I blinked my eyes and it was 10 years later, 2013, and I was walking down another street in a far off city and everything that had once been  was gone, gone, gone . . . .

. . gone, gone . . .

bnduncan.jpg

.

.

.

.

Is there anything sadder than ending up as a Whatever-Happened-To?

Talk about has-been city.  I came across three different web pages where people were wondering what ever happened to that Ace Backwords fellow.  Sheesh.

____________________________________________________________________________________________________________________

January 11, 2013

Does anyone else remember Ace Backwords?  His strip Twisted Image was in just about every zine I saw in the late 80’s and early 90’s.  Apparently he’s now homeless and going blind, so you should support him by buying his book about homelessness.

Does anyone else remember Ace Backwords?  His strip Twisted Image was in just about every zine I saw in the late 80’s and early 90’s.  Apparently he’s now homeless and going blind, so you should support him by buying his book about homelessness.


.

.

Whatever happened to…Ace Backwords?



Ace Backwords http://lambiek.net/artists/b/backwords_ace.htm ,
whose comic strip “Twisted Image” ran in alternative papers
during the 1990s has had a run of bad luck.

The San Francisco Chronicle tells the tale of his life of late:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/03/24/BAAK1CIOD4.DTL&tsp=1

For samples of his Twisted Image comic strip go to
http://www.lycaeum.org/paranoia/stories/comix/back/

D.D.Degg

_____________________________________________________________________________________________________________________________

.

.

Now here is a thread for the older underdogs to introduce some once very well known artists that haven’t made it into the younger generations. This can be artists who wrote in a foreign language and weren’t translated much or at all or deceased artists whose heirs take great care to protect their copyright but do not produce any reprints, which is the safest way to annihilate their heritage.

So I would like everybody to participate, but please follow these simple rules.

1. No web-comic artists. Only artist who had their golden age before the introduction of www.

2. Well known artist means that you should find at once people of your own agegroup that recognize the name of the artist without telling them, while the younger ones haven’t heard the name ever before.

3. No nine-day-wonder. The artist should have been active for a longer time (at least a decade).

4. It is not strictly limited to comic, it can be cartoons/caricatures as well, if there is at least some relation to comic.

5. No artists of mainstream-serials that are just defunct or replaced with others. The artist should have a distintive, personal style or his very own characters. No matter if simple or elaborated art. But you should recognize the work of the artist by the style, not familiar characters.

6. If you post, just make a short statement about the artists you introduce; saying who they are and why they should be here. Please no pictures, links and additional info in your first post. If anyone here asks you for examples, links, etc., go ahead. But I think everybody here who is interested in some artist will use google/wikipedia/etc. anyway. They just might not have come over the name yet.

Examples.

Chez Addams. I think everybody will know the Addams family by the late movies (I did only watch the first two, and lost interest), but sadly only few people are aware that Chez created this characters around 1941/42, and made a lot of other very funny cartoons. Some of you might know them first by the black an white-1960ies television show (like me), that was certainly better then the later versions or the Hannah-Barbera cartoon version. I tried to get some of his books (he did quite some collections), but as far as I know they are not reprinted any more and the ones I found over internet were quite expensive originals. There are also very few of his drawings found in the internet; his heirs run a homepage under his name, but there are hardly any example of his works shown.

Gilbert Shelton
The creator of The Fabulous Furry Freak Brothers was largely derided as a purveyor stoner humor. In reality he was a skilled satirist who made pointed observations about the decline of the hippie subculture, sex, politics and the rise of punk subculture and American conservatism through the eyes of freaks. His sense of timing is absolutely amazing in both his writing and drawings.

Steven A. Gallacci

Largely unknown in modern mainstream circles, Gallacci could easily be considered to be one one of the forefathers of the furry fandom. Gallacci’s extraordinarily beautiful airbrushed drawings, had a major influence in many of the anthropomorphic art conventions that creatives in that genre employ today. His comic Albedo was largely responsible for launching Stan Sakai’s Usagi Yojimbo. This comic eventually overshadowed Albedo and became a mainstream staple in the 80’s and 90’s by way of its frequent crossovers with Eastman and Laird’s Teenage Mutant Ninja Turtles. Gallacci’s richly-complex hard science fiction writing also had a major though largely unsung influence on modern science fiction film and television.

Ace Backwords

Born in 1956, Backwords was one of the most prolific and influential gutter punk-scene underground comic creatives of the 80’s and 90’s. His comics were unflinching in their social observation and absolutely hysterical yet illustrated with disarming charm. His innovative guerrilla marketing practices had a huge impact on modern comics promotions. His works were critically acclaimed and widely published, but now largely forgotten. In 2010, Backwords ended up homeless, but support from the San Francisco community at large helped stabilize his situation.